In many rural communities in El Salvador, poor governance, industrial overexploitation, and pollution leave them without access to water. The short film Private Waters, a finalist of the fifth edition of the We Art Water Film Festival, shows how the El Rodeo community has organized itself to guarantee its survival and health.

The Sahrawi refugees who have been living in the Algerian desert for 46 years continue to face an uncertain future. The Spanish government’s recent policy shift has rescued one of the world’s longest-running humanitarian crises from oblivion. The short 22nd of April by Cesare Maglioni, finalist at the We Art Water Film Festival 5, shows how difficult it is to wash one’s hands in Smara, one of the five camps that host them, where a daily struggle for water, malnutrition, and hygiene is fought.

The moorlands are home to pristine water and natural balance. They are also of immeasurable cultural value, as they are the backbone of an intense and profound relationship with nature and water. Many moorlands are at risk. The Sumapaz, in Colombia, is one of them. In El espíritu del agua (The spirit of water), Diana Moreno, finalist of the We Art Water Film Festival 5, shows us how the recovery of the ancestral culture can be the most powerful action to save them.

The climate crisis is creating severe problems in Cameroon. Desertification and floods generate thousands of displaced people every year who end up in cities unable to provide drinking water for all. The short film Mami Wata, a micro-documentary finalist at the We Art Water Film Festival 5, provides a testimony of the vulnerability of millions of Cameroonians who survive in one of the most water-deficient African countries.

The short Locker, by the Indian Selvaraj, was the winner in the micro-fiction category of the fifth edition of the We Art Water Film Festival. It is a powerful allegory of the situation experienced by many of the more than 1.5 billion people who lack access to water in their homes. The protagonist of the short film lives in a neglected and poor arid zone. Her life and her family depend on having access to the water rations she locks in a drawer.   

Uncontrolled urban growth destroys water around it, creating a serious supply problem. Many cities around the world need to search for water further and further away. In the short film Los Conductores del Agua - The Drivers of Water, a micro-documentary finalist at the We Art Water Film Festival 5, the so-called “piperos”, the water carriers, bear witness to this problem in the Mexican city of Morelia.

The nomadic people spread throughout the Sahel are the ones who know best the harsh climate of the great sub-Saharan strip. The Fulani are a good example. Their ancestral shepherding, farming and food production methods and their deep-rooted sense of solidarity are the foundation of their resilience to poor management of land and violence. Now, climate change is added to the threats. The world must help preserve their ancestral wisdom.

Climate change is affecting wildlife reserves all around the world. In Africa, nature parks, which are a huge biosphere reserve, are experiencing increasingly prolonged droughts. In Kenya, schoolchildren follow the example of Patrick Mwalua, a pioneering conservationist, and are incorporating the saving of water and energy into their schoolwork. This the story of the short film Environmentalists, shortlisted micro-documentary at the We Art Water Film Festival 5.