Tourism is one of the key industries for international economic recovery after the pandemic, especially for developing countries. It is also key for the sustainability of the planet. Reducing the consumption of water is a priority first step.
Africa’s largest island is facing a serious humanitarian emergency. Drought and sand storms have unleashed one of the worst food crises in the history of a country with endemic deficiencies in water infrastructures and with a governance that is incapable of adequately managing the territory. The short film Where to go?, finalist at the We Art Water Film Festival 5, provides direct evidence of a crisis that threatens to kill more than a million people.
In regions with a lack of sanitation, DEWATS provides the possibility of a nature-based, low-cost and sustainable wastewater treatment without a sewage network. In partnership with World Vision, the Foundation is implementing it in a hospital in Chengelpattu, India.
Lack of water, poor quality of parched pastures and inefficient governance underlie most ethnic and religious conflicts in the Sahel region. In the so called African “hunger belt”, it is clear that the attainment of the SDG 6 is essential to attain all other goals, especially SDG 16: peace, justice and strong institutions. An achievement that will enable the planet to envision a much better future.
The last herders survive in Mongolia, victims of globalization and climate change. Most of them have migrated to the capital, taking their yurts, tarpaulin dwellings where they live without running water, electricity or sanitation. Water Trolley, the short film by Toguldur Chuluunbaatar, finalist of the micro-documentary category at the We Art Water Film Festival 5, shows us a child’s daily fight to provide his family with water in one of Ulan Bator’s marginal neighborhoods.
The more we know about environmental problems, the more global solutions become. The water footprint of economic activity is closely linked to the carbon footprint, and both have an impact on the ecological footprint. The goal of reducing greenhouse gases should take hydric stress into consideration in a global approach that is essential to achieve efficiency and justice.
Migration due to poverty, violence and neglect has led to the overcrowding of hundreds of thousands of people within a few kilometers of the center of Nairobi, Kenya’s capital. The causes of the creation of slums follow a universal pattern that show us where to find the shortcomings of the universal justice we wish to create. The short filmRaindrops, by Stephen Okoth, finalist of the We Art Water Film Festival 5, recreates a real common story in Kibera and in all marginal neighborhoods around the world.
The “boat people” who live on board precarious vessels on Lake Manchar are discouraged about their future. Water pollution and salinization has almost stopped providing them with fish, forcing them to migrate to the mainland or towards the sea. The Floating Family, finalist in the micro-documentary category at the We Art Water Film Festival 5, recounts the precarious situation of the last fishermen who survive in Pakistan’s largest lake.
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