The oil spills in the Marañón River cause an environmental and human disaster that reveals the defenselessness suffered by many Amazonia inhabitants when faced with the legal maze in the fight for their human rights. The short film Cuninico, when the rain forest turns black, finalist of the We Art Water Film Festival 4, shows the marginalization of the natives whose lives and economy directly depend on the river.
Water News and Reports
In Rwanda, one of Africa’s emerging economies, half of the population lacks access to water. In villages like Rugaramura, water supply disruptions last for weeks and its inhabitants have to fetch water outside the village. “Amazi”, one of the finalist short films of the We Art Water Film Festival 4, recreates an attitude that is the basis of the Rwandan people’s recovery: joy, a shared emotion that best integrates a community to face the future with confidence.
In the cities in Nigeria, only one in ten people has a supply of water. For homeless children it is a treasure that is difficult to find. This is the case of Bala, the protagonist of the micro-documentary Pure Water Boy, the winner of the Audience Award of the We Art Water Film Festival 4: he survives by selling water and by drinking the remains of what he sells. But he considers himself fortunate: his colleagues in the north of the country live in worse conditions.
In the outlying slums of the capital of Sierra Leone, the population constantly increases in shacks without water or sanitation. Children bear the brunt: they miss school hours fetching water that often makes them sick. This is the reality of Kadija A. Bangura, shown in the micro-documentary Far Away, one of the finalists of the We Art Water Film Festival 4.
In many areas of Russia, plenty of villages are left without water due to the destruction of aquifers. This is the case of one of the 60 families of Beriózovski, narrated in the micro documentary SNOW, one of the finalists of the We Art Water Film Festival 4. For them snow is the safest water source.
Our relationship with water goes beyond the survival of our body, beyond dignity and justice, it is spiritual. H2O, the short film by the Bangladeshi Ahmmed Raihan, one of the finalists of the We Art Water Film Festival 4, reflects how water has been an element that for thousands of years has united us all as a symbol of transformation and a metaphor of an ethical lifestyle.
The winning of four iAgua Awards implies the recognition of the sector to the work of the Foundation and a motivation to move forward in the battle fought by mankind to achieve full access to water and sanitation. It is becoming increasingly urgent to raise awareness in society to create a common front against climate change, environmental degradation and poverty.
The water taps on the streets of Methinkot ran dry after the devastating earthquake of 2015 in Nepal. The 700 inhabitants of the village now depend on a single fountain half an hour’s walk away. The short film The last Sprout, by Poudel, one of the finalists of the We Art Water Film Festival 4, tells the daily routine of Puspa, a 12-year-old girl, her mother and her aunt, who spend up to six hours every day fetching water.
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