The oil spills in the Marañón River cause an environmental and human disaster that reveals the defenselessness suffered by many Amazonia inhabitants when faced with the legal maze in the fight for their human rights. The short film Cuninico, when the rain forest turns black, finalist of the We Art Water Film Festival 4, shows the marginalization of the natives whose lives and economy directly depend on the river.
Water News and Reports
In the cities in Nigeria, only one in ten people has a supply of water. For homeless children it is a treasure that is difficult to find. This is the case of Bala, the protagonist of the micro-documentary Pure Water Boy, the winner of the Audience Award of the We Art Water Film Festival 4: he survives by selling water and by drinking the remains of what he sells. But he considers himself fortunate: his colleagues in the north of the country live in worse conditions.
In the outlying slums of the capital of Sierra Leone, the population constantly increases in shacks without water or sanitation. Children bear the brunt: they miss school hours fetching water that often makes them sick. This is the reality of Kadija A. Bangura, shown in the micro-documentary Far Away, one of the finalists of the We Art Water Film Festival 4.
In many areas of Russia, plenty of villages are left without water due to the destruction of aquifers. This is the case of one of the 60 families of Beriózovski, narrated in the micro documentary SNOW, one of the finalists of the We Art Water Film Festival 4. For them snow is the safest water source.
The water taps on the streets of Methinkot ran dry after the devastating earthquake of 2015 in Nepal. The 700 inhabitants of the village now depend on a single fountain half an hour’s walk away. The short film The last Sprout, by Poudel, one of the finalists of the We Art Water Film Festival 4, tells the daily routine of Puspa, a 12-year-old girl, her mother and her aunt, who spend up to six hours every day fetching water.
In Lake Wular, Kashmir, Billa collects floating garbage to support his family. He is happy because by doing this, he is contributing to cleaning the water. He is the protagonist of Saving the Saviour, the short film by Jalal Jeelani, finalist in the micro-documentary category of the We Art Water Film Festival 4. His life and testimony highlight the importance of saving the largest freshwater reserve in India and also ending the situation of millions of children around the world who, like him, depend on the collection of garbage to survive.
“Black”. That is how many children in Nepal perceive water. Like the protagonist of Color of Water, the short film by Sabin Maharjan, winner of the We Art Water Film Festival 4 in the micro-fiction category. The Himalayan country, which is home to the headwaters of the main rives in southern Asia, has severe supply problems for its population.
The alteration of nature caused by our activities places us before a challenge based on constant knowledge: to discover, predict and evaluate the consequences of what we are doing with natural resources and the environment we live in forces us to be effective in Research, Development and Innovation. The water security of the planet depends on the experience of the most developed countries reaching everyone.
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